Category: Emad's SF

Everybody needs a voice, and Arab and Muslim science fiction is no exception. This is Emad's gift to his colleagues across the region and beyond. A platform for the unheard, reviewing, and interviewing the avant-garde to mend cultural bridges from the Global South to the Global North.

Emad Aysha - 01/08/2025

Fresh Air – Harry Palmer to the rescue

After discussing The Ipcress File, the novel and the movie, I decided to start watching […]
Emad Aysha - 25/07/2025

Flashpoint – Words of wisdom beyond the scientific

Time to cash in on the JFK file exposés; see my Winter Kills and Enemy […]
Emad Aysha - 16/07/2025

Blonde Ambition – David Lynch drives through Trump’s California

I’ve been researching the mysterious masterpiece that is Mulholland Drive (2001) recently, checking YouTube reviewers […]
Emad Aysha - 11/07/2025

From the Dark Depths – Monsters, Aliens, Genies and the Myths in Our Genes [Part II]

... Yet another explanation, pitched by Muslim thinkers, is that all these grand civilizational relics […]
Emad Aysha - 10/07/2025

From the Dark Depths – Monsters, Aliens, Genies and the Myths in Our Genes [Part I]

Like everybody else, I grew up with a little Godzilla, but I’d never got around […]
Emad Aysha - 05/07/2025

Rebirth – Gareth Edwards, the dino comeback kid

Jurassic World: Rebirth (2025) has received a lot of criticism, and undeservedly so. It’s actually […]
Emad Aysha - 26/06/2025

28 Years Later… A Britpop zombie apoc masterpiece

My God, what a rush! That’s almost all I have to say about the movie, […]
Emad Aysha - 20/06/2025

Sinners (2025) – Minorities, Music and the Money vampires

A lot of hype has been generated, in a positive way, about this outlandish movie […]
Emad Aysha - 12/06/2025

Bent to My Will – Parallel dimensions in Egyptian hands

I had the good fortune of participating in Balticon 59 and took the opportunity to […]
Emad Aysha - 04/06/2025

The Substance – The art of wrinkle-free body-horror

A lot of hoopla has been made of Demi Moore’s latest movie, The Substance (2024), […]
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